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Self Image
This book brings together for the first time monochrome self-portraits taken by Ninagawa intermittently since early in her career, with her photographic series noir (2010), the artist's ground-breaking look at the dark side of contemporary society, and PLANT A TREE (2011), images of cherry blossoms scattered on the surface of rivers.This book was made in conjunction with her recent exhibition at the Hara Museum of Contemporary Art in May, 2015.
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Self/Image : Technology, Representation, and the Contemporary Subject
Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artists' abilities and forms to express themselves. From analogue photography to more recent artistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices. This will make an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.
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The Biblical View of Self-Esteem, Self-Love, and Self-Image
Who am I? Why am I here? Where am I going? Familiar questions in our day and age. But has our search for answers led us too far in the wrong direction: away from our true position in Christ and toward a dangerous emphasis on self?Recent decades have seen the rise of a powerful and influential movement within the church.Identified by labels such as “self-image,” “self-esteem,” “self-worth,” and “self-love,” this movement has one common denominator—the emphasis on self.Regardless of religious persuasion, everyone seems to be fighting what they perceive to be a shared enemy: low self-esteem. Now well-known biblical counselor and noted author Jay Adams brings much-needed clarification to the area of self-esteem and offers the church and every believer a truly biblical view of self.
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Who is in? : Beyond Self-image
Who is in? is for all spiritual seekers who encounter the basic questions of identity: Who am I?, Who is in? or What is the nature of I? Using the Zen Buddhist koan - a paradox to be meditated upon - ‘Who is in’ as a door to discovering the true self and pure subjectivity, this book provides examples and understandings, techniques and invitations to experiment with self-inquiry.
Price: 13.99 £ | Shipping*: 3.99 £
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Jourdan's Journeys : A Dragonfly's Journey to Strong Self-Esteem & Self-Image
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USB Digital Camera Data Connection / Synch cable Liquid Image EGO 727
Ex-Pro® Liquid Image EGO 727 USB 2.0 Cable for EGO. Provides connection from Selected Liquid Image Digital Cameras using specific part. USB 2.0, ROHS compliant, Shielded cable. Ex-Pro® 2 Year warranty. See our compatibility list below to confirm compatibility with your camera. This cable can also be used to charge selected EGO Digital Cameras using the USB Input on the cable, Search - Ex-Pro EGO USB adapter part USB, 5 Volt required but not included on this item. Length Approx 1.8m Colour: Black. ROHS Compliant. USB 2.0 (1.1 Compatible). Interference protected.
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Psycho-Cybernetics The Magic Power of Self Image Psychology
Here, at last, is the secret of bridging the gap between what you have now and what you desire. This book shows you what you must do to unleashthe colossal forces of your mind and drive forward to greater prosperity.This classic reprint from the Dr. Maxwell Maltz Psycho-Cybernetics Library shows you the new way to a bright, full life.Poverty miraculously transformed into riches...Loneliness into love...Disgrace into glory...Failure into success...all by usingThe Magic Power of Self-Image PsychologySome examples:The Secret Strength in RelaxationSex and the Self-ImageMaster your habits and control your destinyAnd other ways to find peace of mind in a troubledworld.
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Julius Caesar's Self-Created Image and Its Dramatic Afterlife
The book explores the extent to which aspects of Julius Caesar’s self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century.Caesar, in his own words, constructs his image as a supreme commander characterised by exceptional celerity and mercifulness; he is also defined by the heightened sense of self-dramatization achieved by the self-referential use of the third person and emerges as a quasi-divine hero inhabiting a literary-historical reality.Channelled through Lucan’s epic Bellum Civile and ancient historiography, these Caesarean qualities reach drama and take the shape of ambivalent hubris, political role-playing, self-institutionalization, and an exceptional relationship with temporality. Focusing on major dramatic texts with rich performance history, such as Shakespeare’s Julius Caesar, Handel’s opera Giulio Cesare in Egitto and Bernard Shaw’s Caesar and Cleopatra but also a number of lesser known early modern plays, the book encompasses different levels of drama’s active engagement with the process of reception of Caesar’s iconic and controversial personality.
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